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How to transpose a ballet in a film? The film Don Juan, vues d'ailleurs is better than a captation, it is a choreographic film. When one adapts for the screen an opera or a choreography, one has the same language of plans, a structure, dedicated to the construction of an account, as for a feature film of fiction. That's what this film proposes on the ballet Don Juan imagined by Thierry Malandain and interpreted by the dancers of the Biarritz Ballets. Here, it is not a question of frontally placing three cameras in front of the scene because an alive spectacle is not only dancers and music, it is also and especially a circulation of human energy. By this film we transport the public in another dimension, revealing what it never sees.

France - 2007 - 49 mn - HD • 16/9 - Colour

Director Sonia Paramo Writer Sonia Paramo based on Thierry Malaindin Camera Jean-Vincent Minéo, Patrick Lauze, Frédérick Néry, Sonia Paramo Sound Jean-Philippe Callet Sets Jorge Gallardo Editing Patrick Lauze Music Christoph Willibald Gluck

Production Les Films Figures Libres, 103, rue des Fontaines, 31300 Toulouse, France Tél : +33 5 6163 4132 Fax : +33 5 6163 4132 E-mail : prod@lesfilmsfigureslibres.com Co-Production Ballets Biarritz - Centre national chorégraphique, Télé Toulouse

Sales Les Films Figures Libres, 103, rue des Fontaines, 31300 Toulouse, France Tél : +33 5 6163 4132 Fax : +33 5 6163 4132 E-mail : prod@lesfilmsfigureslibres.com